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Photograph by Richard Heeps. A red drag car with a 75 written on its fin sits on a salt plain the front facing away towards the right. A blue cloudy sky is overhead.
Mounted photograph by Richard Heeps. A red drag car with a 75 written on its fin sits on a salt plain the front facing away towards the right. A blue cloudy sky is overhead.
Black framed photograph by Richard Heeps. A red drag car with a 75 written on its fin sits on a salt plain the front facing away towards the right. A blue cloudy sky is overhead.
White framed photograph by Richard Heeps. A red drag car with a 75 written on its fin sits on a salt plain the front facing away towards the right. A blue cloudy sky is overhead.
White framed photograph by Richard Heeps. A red drag car with a 75 written on its fin sits on a salt plain the front facing away towards the right. A blue cloudy sky is overhead.
Two black framed photographs by Richard Heeps. The left hand side photograph is of a red drag car with a 75 written on its fin sits on a salt plain the front facing away towards the right. A blue cloudy sky is overhead. The photograph on the right hand side is a large sign for Roy's Motel and Cafe, on flat land with mountains in the background and a vast sky behind..
Photograph held by photographer Richard Heeps. A red drag car with a 75 written on its fin sits on a salt plain the front facing away towards the right. A blue cloudy sky is overhead.
In situ photograph by Richard Heeps. A red drag car with a 75 written on its fin sits on a salt plain the front facing away towards the right. A blue cloudy sky is overhead.

Ferguson Racing Streamliner (Rear Three Quarters), Bonneville, 2003

£75.00
£75.00
Tax included
Size Guide >

Ferguson Racing Streamliner, in the iconic home of speed, Bonneville Salt Flats. Bonneville has been the setting of many land speed attempts and records, the unique landscape creates a stunning backdrop to the futuristic vehicle. Photograph from Richard Heeps Bonneville series.

This artwork is a limited edition gloss photographic print, presented in a museum board white window mount and a choice of black or white box frame made professionally in the UK, framed prints are dry-mounted to aluminium. It is signed and numbered on reverse accompanied by a certificate of authenticity. 

Handmade to order.

Please note that the size listed refers to the image size. Mounting and framing will increase the final size of the artwork.

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Sizes may vary slightly from image to image as we make each composition from the negative individually, either showing Richard's signature ragged edge (white border) as he prints full frame or showing the film rebate (black border) often showing the film make. Where the image size varies we adjust the window mount in order to maintain a frame size so like for like sizes can hang together.

 

Artwork Description 

Richard makes the c-type prints from negative in his own analogue colour darkroom in Cambridge. His paper of choice is Kodak Professional Endura Premier Gloss. When Richard has chosen to evolve the artwork, we work with Streamline Colour Lab. In our studio the print is dry-mounted to dibond which ensures a very flat image surface in both the short and long term. The prints are matted (window mounted) using a museum quality 100% cotton rag board especially manufactured to be compatible with the C-type archival Kodak photographic paper Richard uses. Richard does all mounting himself, using his precision engineering background to create the finished artwork. Eleanor fits the artworks to the frames. Traditionally photographic prints are signed and numbered on the back, accompanied by a certificate of authenticity. They can be signed on the front of the mount by request. If you would like us to make a larger artwork that is possible, the sizes listed are the largest we can make in our darkroom but we can go larger with our printing partners so please get in touch to discuss it.

 

Framing Description

Our frames are hand-made in the UK by Menor Photographic Fine Art Printing & Framing Specialists in Hertfordshire. We offer a choice of black or white wooden box frames which have depth to suit the size of the picture, the artwork set back from the glass. Our black frames are made from matt ebony stained obeche, in which you can see the detail of the wood grain whereas our white frames are made from beech and the wood grain is not visible. The wood is sustainably forested for both variations of frame. Artglass AR 70™ is a premium anti-reflective glass used by the finest museums around the world. If you would like to present you artwork in another way, we offer the choice to buy an unframed print only and can advise you on other options or recommend reputable companies to carry out the work.